MISCELLANEOUS

PRINT SOURCES:

Barba, Eugenio and Nicola Savarese. A Dictionary of Theatre Anthropology: The Secret Art of the Performer. New York: Routledge, 1991. 0-415-05308-0
Sections on balance, opposition, energy, pre-expressivity among others. Many photographs and drawings.

Barba, Eugenio. The Paper Canoe: Guide to Theatre Anthropology. New York: Routledge, 1995. 0-415-11674-0
Explores the pre-expressive basis of “presence” effective on stage.

Black, Lindly. Michael Chekhov as Actor, Director, and Teacher. Ann Arbor, MI: UMI Research Press, 1987.
Discussion of the psychological gesture.

Craig, Gordon. On the Art of the Theatre. Chicago: Browne’s Bookstore, 1911.
Actors’ gesture, voice at the mercy of emotions.

Dixon, Michael Bigelow and Joel A. Smith, ed. Anne Bogart: Viewpoints. n. c.: Smith and Kraus, Inc., 1995.
Viewpoints include elements of spatial relationship, gesture, shape, tempo, duration, and other primary components of movement-based theatrical practices.

George, Kathleen. Rhythm in Drama. Pittsburgh: University of Pittsburgh Press, 1980.

Gordon, Mel. “Meyerhold’s Biomechanics,” The Drama Review, Vol. 18, no. 3, 1974.

Grotowski, Jerzy. Towards a Poor Theatre. New York: Simon & Schuster, 1970.

Jenkins, Ron. Acrobats of the Soul: Comedy and Virtuosity in Contemporary American Theatre. New York: Theatre Communications Group, 1988.

Klein, Maxine. Time, Space, and Designs for the Actor. Boston: Houghton Mifflin Company, 1975.
Discusses body centers.

Lankton, Steven. Practical Magic. Copertino, CA: Meta Publications, 1980.
Neurolinguistic programming.

Le Mee, Katharine. “Francois Delsarte, 19th Century Teacher of Vocal and Body Behavior,” Northeastern Modern Language Association, 1973.

Meyerhold, V. E. Meyerhold on Theatre. New York: Hill and Wang, 1969.

Murphy, Michael. The Future of the Body. Los Angeles: Jeremy P. Tarcher, Inc., 1992.

Poggi, Jack. “Second Thoughts on the Theory of Action,” in Actor Training II, Richard P. Brown, ed. New York: Drama Books, 1976.

Pronko, Leonard. “Learning Kabuki: The Training Program of the National Theatre of Japan,” Educational Theatre Journal, 23(December 1971).

Rizzo, Raymond. The Total Actor. Indianapolis, IN: Bobbs-Merrill, 1975.

Saint-Denis, Michel. The Rediscovery of Style. New York: Theatre Arts Books, 1960.
Style in the theatre.

Stanislavski, Constantine. “Physical Action as a Means to an End,” in Stanilavski’s Legacy. New York: Theatre Arts Books, 1968.

Suzuki, Tadashi. The Way of Acting. New York: Theatre Communications Group, 1986.